In addition the artist has stuck real pearls and semi-precious gemstones at places to highlight the jewelry of the deity. It has been created by a tedious process, which is a combination of painting and embossing. The painting is in the decorative style of Tanjore art and here effects have been achieved The gopis on his sides is also a usual feature. Krishna's favorite butter, in a gold casket, has been painted to his right and a small image of his elder brother, the fair-complexioned Balarama on his left. As the tradition has it, mother Yashoda has been represented here as Purnaghat covered with a piece of red cloth. This painting is in great conformity to the Nathdwara deity form of Shrinathji. He ahs been rendered here lifting Mount Govardhan, the most worshipped form of Lord Krishna, though the representation is only symbolical suggested by the movement of his raised left hand and its finger. This picture represents Lord Krishna in an unusual deity form. This Nathdwara iconography of Shrinathji is one of the most widely imitated forms of Lord Krishna. For four hundred years now Nathdwara has been a constant center of great art and is known for its multiple art forms and art media. Nathdwara is known alike for both, its distinguished art style and its Vaishnava cult of Shrinathji. The city of Nathdwara, south of Udaipur in Rajasthan, situated on the right bank of river Banas, was established in 1683 as one of the four seats of Vallabh sect, or Pushtimarg, of Vaishnava devotional cult propounded by Vallabhacharaya around the closure of the 15th century.

This image of Krishna wearing long garlands and necklaces and a crown of peacock feathers is the characteristic Nathdwara iconography of Lord Krishna widely known as Shrinathji.

Shrinathji morning bhajan